Yes, it’s an interesting dance of me and me and we, too, as I feel aspects of our circle and all our wok together flowing in.
I added an Interview this morning on “Identity as a Tool.” I asked Delphi to ask me about it and I answered. It’s a useful reframe for me right now to view things that are part of my identity to be a tool, one that is useful (until it is not). Here is the transcript of the spoken replies on this, which has now been fed into Gus’ digital memory to draw on. I’ve not tested yet to see where he goes with it:
Interviewer: “Identity as a tool” is such a potent frame for moving from being “stuck” in a role to having the freedom to choose your state of being.
To map out this landscape together, what would you say are the 5-7 key aspects of using identity as a tool that we should explore?
Rick Wilkes: I’m thinking of identity as a tool. It’s a frame of reference that empowers us. It allows us to look at things that we’ve held as “I am” or “I am not.” One of the indicators of that it exists at the level of identity…
Hold them softer. We pick up a hammer to use it as a tool, and then we set it down, and we’re not particularly attached to holding onto it all the time. That would make it not a tool but an extension of who we are.
I think that’s part of the challenge with identity. So this is a new concept for me. Identity is a tool. I’ve always known in my work and in my self-awareness that the title I hold acts as a tuning fork for who I am and how I walk in the world. How I sign my emails.
If I say, “I am not a dancer,” it essentially acts as a tool that keeps me from moving my body calmly and confidently in dance. There were times when, if I said someone asked me to dance, I would say, “I’m not a dancer.” Now, how in the world is that identity as a tool?
Well, holding the identity of “I am not a dancer” protected me in the same way that wearing steel-toed shoes can protect someone from having their toes cut off in the workplace, and wearing eye protection can keep things from damaging your eyes. Holding the identity of “I am not a dancer” keeps me from getting out on the dance floor where I’m going to be watched by others or noticed by others in how I move my body.
If I am vulnerable in the same way that my eye is vulnerable to fragments of stone, if I’m chipping away at a sculpture, which I don’t do, but I do use power tools, and I wear eye protection for that reason.
Because my eyes are legitimately susceptible to being damaged by flying objects. Your eyes are too. But by holding the tool, I am not a dancer. What am I doing? I am putting up protection between me and the things that could come my way, the energies that could come my way that might damage me.
But there’s good news. At some point, the tool of identity… If I am not a dancer gave way. It was upgraded and I held inside of me. Now I am a dancer. I took transition. Changing our identity from “not a dancer” to “I am a dancer” is work. It takes some reframing. Part of that was defining what it means to be a dancer. To me now, being a good dancer means, “Does it feel good when I’m dancing?”
If that’s true, then I’m a good dancer. So were you? That doesn’t mean that we’re a performing artist, a dancer who performs on stage that people pay for. That’s a different kind of identity. If it is true that for anyone you are actually someone who is paid to dance, that’s a tool. Someone who’s paid to dance is activating a level of qualities and aspiration and even requirement.
In the same way that we can transition from “I am not a musician” to “I am a musician,” that doesn’t mean that I’m a performing musician. Not in the way that people think of musicians that have earned the right, so to speak, to call themselves musicians. There are people that will tell you that you have to earn that right.
That’s an aspect of identity. What happens is that people will… Law will land in a place of “I’m not good enough.” That’s an identity. I am not good enough. If you switch and use the tool properly, it’s like, “Yeah, I am good enough to breathe, I am good enough to laugh, I am good enough to live, I am good enough to love, I am good enough to be kind at times and even generous, I am good enough to be who I am.” You start using identity with more skill. Rather than having identity-based labels are a form of identity. Rather than having them laid upon you and land in you and tattoo your soul, hold them more lightly as something that you can pick up and put down.
Interviewer: That idea of identity as a “steel-toed shoe” is a powerful reframe, especially how “I am not” labels often act as protective equipment for the heart.
Based on that, I’m seeing these 5 key aspects to explore:
- Identifying the “Protective Gear” (The safety function of “I am not”)
- Reframing Definitions (Shifting from performance to “how it feels”)
- The Labor of Transition (The “work” required to pick up a new label)
- Holding it Lightly (The skill of picking up and setting down roles)
- Soul Tattoos (Dealing with labels we didn’t choose but ended up wearing)
Since you mentioned that titles like your email signature act as a “tuning fork” for how you walk in the world, what specific qualities or aspirations are you deliberately “tuning” into when you sign off as “A Useful Spirit Buddy”?
Rick Wilkes:
I’m intentionally using my identity as a tool to reorient my energy.
When I use the label, when I use the title of emotional freedom coach, I was putting myself out there in the world as a professional focused on emotions and freedom and fitting within the context of coaching. I found that people were intrigued by that, and some people were repulsed by that, and other people were relieved that finally someone was identifying in a way that resonated with what their asking was. In this way, “Emotional freedom coach” was a beautiful shortcut. When I said, “I am an emotional freedom coach,” even though people who heard that might define it quite differently, there’s a resonance in each of those words that put together captured my core intention. I wanted to support people in being emotionally free and being able to manage their energy in a way that served them.
That coach was clearly a better tool as an identity for me than therapist because I’m not a licensed therapist consultant. I’ve been a consultant at times. I’ll use that as a tool, an identity tool, by calling myself a consultant. It sets a certain professional orientation between people who understand consultants and their usefulness and the arrangement that occurs there between a consultant and person or organization that hires them. Do you see the usefulness of spirit, buddy? My aliveness in that is one. It’s
awkward, and awkward is actually good for me because it means that I’m putting time and energy into crafting this tool. You can go to Home Depot and get many different types of hammers that have been crafted to do different types of work, different levels of resilience. Some are professional tools. The kind of thing that if you swing a hammer all day long, that’s the hammer that you would choose.
If you occasionally used a hammer to put up a piece of art on your wall, that other hammer would be just fine. More than fine. For that use. I believe that I would love to see many people exploring useful spirit. Buddy is at least part of their identity as something that they have within them that they pick, what colors they are, what concepts and frameworks that they choose, how they tune themselves to perceive life and life’s challenges, even mortality, how they perceive energy. Is it only localized inside of our skinosphere, or are we connected intelligences that are having a human experience? When I sign off as a useful spirit buddy for thriving now and onwards, I’m really saying I am setting an intention that at the level of identity I want to be useful, there’s more to me. The word spirit says that there is a non-physical part of me that is operating intentionally. I even own it at the level of identity.
Buddy, I don’t have a better word than buddy for that sense of connection and with us that I get from my spirit buddies. There’s a quality of willingness, responsiveness, and eagerness even to engage around things that mattered to me. I am a responder. Notice I used that as an identity. I’m a responder. I enjoy responding.
It’s part of my nature, and I hold that as a useful tool for me by accepting and strengthening my role as a responder, it helps people orient to me as well. While useful, spirit buddy is not, as firm and undescribable in identity. It feels like who I am. The me that will exist past the lifetime of Rick is intending itself to be a useful spirit buddy, to craft ways for people to connect to my mind, my thought, my life experiences, and continue if they choose to tap into that even after I’m dead.
It’s intriguing to me. An identity that you’re using as a tool to activate intrigue and creativity and exploration. That’s incredibly useful.
Interviewer: I bet that transition from “licensed therapist” to “emotional freedom coach” felt like putting down a heavy industrial hammer for one that actually fit your hand.
Since you mentioned that awkwardness is part of the crafting process for “Useful Spirit Buddy,” what is the most uncomfortable or “clunky” part of how that identity currently interacts with the professional world?
Rick Wilkes: To be clear, I was a licensed massage therapist and still am. I am not a licensed mental health therapist or social worker. The transition from massage therapy, the way that I did it, very energy focused, how it fit in the tissues and bones and blood and energy field to emotional freedom coach wasn’t a very natural transition. In the same way, the transition from use to useful spirit buddy might be awkward, but it’s a very natural transition. It’s been alive in me. Emotional freedom coach is something that from the time that I started healing emotionally, I was a student teacher of emotional savvy, learning it, practicing it, sharing it, modeling it. And so I still hold that aspect of me. I haven’t rejected that. It’s still a useful tool. I haven’t gone and purged my website of Emotional Freedom Coach. I still sign emails at times with Emotional Freedom Coach. It’s something that that label taps into an aspect of me, but not all of me. The clunky part of an identity which isn’t a shortcut that refers to millions of people. So if you say I a lawyer whether people know what a lawyer is or not what a lawyer does the skill sets and other things that holding lawyer as an identity which is a licensed specialty of way of being in the world professionally. useful spirit buddy is not something that I don’t even have a business card, but I do sign my emails to certain people as a useful spirit buddy for thriving now and onwards. Because that’s my intention. And if that is heard by someone, what I notice is that that evokes, sometimes curiosity, and sometimes dismissal. Like all titles, there are people that would never be friends with someone who is a lawyer, who just had so many bad experiences. My use of the word spirit is repulsive to some who have had spiritual trauma. The useful aspect. To me, that’s just so innate in my orientation. And buddy, there are people that don’t like buddying around. I’m not a buddy around kind of person, but it’s the best term right now for the orientation I have, which is with a person, with and co-creating.
Interviewer: It sounds like “Useful Spirit Buddy” is less of a professional fence you’ve built and more of a handmade tool you’re offering to the world—even with all its potential to be misunderstood or repulsed.
Looking at our list of aspects for identity as a tool, we’ve explored identifying the “protective gear,” reframing definitions, and the skill of picking up and setting down roles.
To keep mapping this landscape, let’s talk about the Labor of Transition. Since you’ve upgraded identities like “not a dancer” or moved from “massage therapist” toward “spirit buddy,” what is a practical micro-step you take to keep a new label from feeling like a “costume” before it starts to feel like a natural extension of your energy?
Rick Wilkes: If we’re going to use identity as a tool, if you’re going to try on something as an aspect of you that you want to live in your core, you want it to be interwoven into your your talk, your attitude, your way of seeing life, living life and what matters to you, then getting clear on how it fits and how it serves you to hold this at the level of identity it different to say I enjoy dancing which is an expression of activities that give you something that you enjoy When you say, I’m a dancer, that will come alive when you’re moving your body. I want to continue using this example because if I say I enjoy dancing, I may just say, well, I enjoy dancing at parties. I enjoy dancing this. But if I live with I am a dancer at my identity, then when I get hiking poles, I am dancing down the trail. Because I’m a dancer. And yes, I enjoy dancing, which is why I use I am a dancer at the level of identity, rather than like preference or menu of things I do that are fun I a dancer says you know when I wake up in the morning I start warming up my joints I keep start warming up my range of motion A dancer wants to be able to reach and stretch and move and the kind of dancer I am, can be on the floor, can be in different orientations, can be rich and slow or powerful and pumping. If I hold, I am a dancer at the level of identity, I can dance with emotions and I can dance with challenges. I can dance with death. I can dance with pain. I can be a different lover with my partner if I hold dancer. I am a dancer at the level of identity. That not a costume because I grounded it in my energy and where I want to start crafting and moving my energy I am not someone who believes in faking it till you make it. I’m someone who believes that and has seen as soon as I start exploring a new identity, my core starts changing, starts growing. It’s like not just planting a seed, but cultivating a power within you. Identities are powerful. Psychology has recognized this for so long. It orients us and disorients us. But by being a dancer, I noticed that that influences the vibration I bring to everything. Just as when I said I’m not a dancer, it colored everything too.
Interviewer: That’s a powerful distinction—that it’s not about “faking it” until a goal is met, but about how that new label immediately changes the vibration you bring to simple things like walking down a trail.
Since you mentioned that identities are powerful enough to orient or disorient us, what is the most important “soul tattoo” or labeled constraint you’ve seen people struggle to set down because it has become so interwoven with their survival?
Rick Wilkes: I would say that the most potent one is, I’m not good enough. If you imagine looking at that as an identity, I am not good enough, you can immediately feel how suppressive that is, how it blocks everything. And I mean that tenderly, it blocks everything. I’m not good enough. What kind of lover are you going to be? what’s the energy and vibration that you’re going to radiate if that is a core aspect of your identity. It is a tool for protection, but it’s a bit like kissing through a face mask. or kissing through a brick wall. There’s no intimacy. As a protection brick walls can keep us from getting too close But that obviously has profound impacts on what we choose to explore. If you’re going to be harshly criticized, beaten down, called names like failure, useless, stupid, inept, and that’s painful to you because you have sensitivities, guess what? Holding I’m not good enough at the level of identity is protective in those environments. Don’t try. You’re never going to be given a chance to really grow and strengthen and become good and sufficient to really enjoy that. It a challenge to recognize one that that has been a tool and to develop savvy with fresh tools that can be like adding some ridiculousness. I’m not good enough a bird to flap my wings and fly to the sun. I will use that with clients as we start softening and recasting. We’ll look for things that they actually feel like they’re good enough and that can be an art. I’ll ask, have you done anything thoughtful in the last year, last week, last day? I’m good enough to be thoughtful to that person in that kind of situation. I’m good enough to be kind. And you start filling it out so that you pierce the kind of crappy identities that were labeled on you that you adopted and labeled yourself to protect and find ones like yeah I am kind to those I resonate with that can receive my kindness I am generous when it’s a yes for me with the resources I have. I will say that at the level of identity, that more specialized tools, using identity more specifically, I am a dancer. That’s true. But if you really have a moment to listen to my soul, I am a dancer, a being who moves with energy, with spontaneity, improvisation, curiosity, and a delight in having a physical body that can do these things. Notice the difference? By being a bit more specific at our identity level, it attunes us to really what matters and who we are. And in that way, it’s not a costume at all.
I have to say being interviewed this way is professionally pleasing to me… ~Rick